
This barn in near the five corners. It has a wavy roof that is like the contour of the mountains in the background.

This red barn with its barber's pole with Christmas lights has always intrigued me. Like a little touch of Venice on Route 43 in Hancock. Mitchell Albala in his excellent book Landscape Painting writes that one can get luminosity by using mid-values together, which is what I tried to do here. I also tried to keep the abstract quality. The pastel is 11 x 14 on uart paper, and the charcoal drawing is 5x7 on standard sketching paper.
I made one more visit to the quarry this weekend, but late in the day when the sun was in a different part of the sky. Coming home I passed two large quarries in northern New Jersey. Half a mountain has been removed in both quarries, which makes the older, abandoned quarry in Vermont look quaint and intimate.


I am back in New England, and revisiting the Hancock barns and the Pownal quarry. These are preparatory drawings for coming pastels. You can revisit a familiar site many times, if you select a different time of the day when the sun is in a different location, or not shining at all. But the weather has been great despite the forecasts.